Article and annotated, clandestine interview with a large, Geneva-based art storage facility. The facility had been implicated in tax evasion and trafficking stolen artworks from Egypt, Iraq, and Syria. I presented myself as an art collector to see exactly how easy it was to move items in and out of Europe (very easy) and how much of my identity I was required to disclose (none). Published in Thresholds no. 43.
![](https://freight.cargo.site/t/original/i/1de02c3aec33d0b83255bb8d5401db931129b1dc4dc729117af036cbcfbc97f6/10982248_1065775513451486_8320408142659242525_o_1340_c.jpeg)
![](https://freight.cargo.site/t/original/i/f757e643a17d3df0f226f9eaaa827174b62a35bbf2d45de77b5b4960df1c92c4/thresholds_43_Carver.jpg)
![](https://freight.cargo.site/t/original/i/0ede9b0605bad324fd6602b01ceb07b47fe5cbd2726018008f2a5e3614c128cb/thresholds_43_Carver2.jpg)